文化是一个国家，一个民族的灵魂，中国当代书画艺术家刘凤仙以笔墨绘时代，以作品展辉煌，让中国书画走进千家万户。主张让心境主宰画境。在创作探求中，做到与景相应，与时代合拍，与自然共鸣。在继承优秀文化传统书画的同时，又将中国文化的内藴与现代理念有机结合，强调文化，强调精神，作品展现出一种中国文化产业全新的艺术气象。

　　Culture is the soul of a country and a nation. Contemporary Chinese calligraphy and painting artist Liu Fengxian painted the era with pen and ink, showcased brilliance with his works, and brought Chinese calligraphy and painting into countless households. Advocate for letting the mood dominate the painting. In the exploration of creation, we strive to correspond with the scenery, keep pace with the times, and resonate with nature. While inheriting excellent cultural traditions in calligraphy and painting, it also organically combines the essence of Chinese culture with modern concepts, emphasizing culture and spirit. The work showcases a new artistic atmosphere in the Chinese cultural industry.

　　There are very few Chinese calligraphers and painters who can simultaneously paint landscape, flower, and bird paintings. As a female artist, Ms. Liu should be able to achieve both and achieve perfection, which is even more difficult. She can be regarded as a model of contemporary art.

　　中国书画家中能同时画山水画花鸟画的人甚少，刘老师作为女艺术家，当能兼之，并皆能做到极致，更是万般不易，可谓当代艺术的楷模。

　　在刘凤仙老师笔下的桃子，设色典雅，饱满丰润，个性鲜明，画风自然，生动有趣。桃子灵动飘逸，丰润洒脱，充满仙气，个大饱满，红润诱人，惟妙惟肖，色彩红润通透，可堪称当代画桃第一人!

　　The peaches in Teacher Liu Fengxian's works are elegantly colored, full and plump, with a distinct personality, a natural style of painting, and are vivid and interesting.

　　Peaches are agile and elegant, plump and carefree, full of fairy spirit, large and full, tempting and red, lifelike, with bright and transparent colors, making them the first contemporary peach painter!

　　刘凤仙，中国著名艺术家。1942年生。自幼酷爱美术，曾任多年美术教师，受黄胄大师指点，几十年如一日研习绘画理论及技法，苦练不辍，以花鸟为主，尤擅画梅与寿桃，其作品气势磅礴，清新怡人，喜庆向上，具时代气息。因诗、书、画全面发展，有‘东方才女’之美誉。是位蜚声国内外的著名女画家。

　　刘凤仙女士，曾在四十余个艺术组织兼荣誉主席、名誉院长、荣誉馆长、副主席、院士、顾问、研究员、客座教授、公益大使，艺术使节，理事等职务。为在联合国召开的“中美品牌大会”唯一命名的知名国礼画家。她多次在国内外举办个人展览，数十次参加全国及国际性书画大展大赛，并屡获大奖，曾多次获特等奖、金奖、银奖、二等奖、优秀奖、特别荣誉奖、特殊贡献奖、功勋奖，最佳创作奖。曾获联合国组织的世界和平艺术大赛金奖，中韩两国联谊大笔会金奖等。海峡两岸书画大赛金奖。毛体书法曾获特等奖，优秀奖，等一百多个奖项和荣誉。因成绩卓著，被授予“共和国艺术百杰”，“世界艺术家”，“书画艺术大师”，“东方才女”，“当代书画界新领军人物”，“中国当代书画大家”，“优秀人民艺术家”等称号。作品辑入《世界名人录》、《一代名家》、《二十世纪著名书画家》、《中国书画名家教授大辞典》、《中国美术史》、《中国美术教育年鉴百年》、《共和国艺术宝鉴》、《中国九大殿堂级艺术家》、《中国当代书画大家》、《中国实力派画家》、《画梅巨匠》、《雄踞中国艺坛艺术家》、《艺坛名家》等二百余部典集与辞书。著有《刘凤仙书画艺术》、《刘凤仙画集》、《刘凤仙国画欣赏》、《著名画家刘凤仙国画专辑》{光盘}、《圣儒-国画名家刘凤仙艺术画集》、(中国文化名家专题邮票)、《刘凤仙诗百首》、中篇纪实小说《追梦人求学》等。其作品深受国家领导人、企业界、艺术界、博物院、国内外朋友及广大书画爱好者的青睐 与收藏。因德艺双馨，成为深受人民欢迎和爱戴的艺术家。

　　Liu Fengxian is a famous Chinese artist. Born in 1942. I have been passionate about art since childhood and have served as an art teacher for many years. Under the guidance of Master Huang Zhou, I have been continuously studying painting theory and techniques for decades. I have been practicing diligently, mainly focusing on flowers and birds, and am particularly skilled in painting plums and peaches. His works are magnificent, fresh and pleasant, festive and uplifting, with a sense of the times. Due to the comprehensive development of poetry, calligraphy, and painting, she has the reputation of being a 'talented woman of the East'. She is a renowned female painter both domestically and internationally.

　　Ms. Liu Fengxian has served as Honorary Chairman, Honorary Dean, Honorary Curator, Vice Chairman, Academician, Consultant, Researcher, Visiting Professor, Public Welfare Ambassador, Art Ambassador, and Director in over forty art organizations. He is the only well-known Chinese courtesy painter named after the "Sino American Brand Conference" held at the United Nations. She has held multiple personal exhibitions at home and abroad, participated in dozens of national and international calligraphy and painting exhibitions and competitions, and has won numerous awards. She has also won special awards, gold awards, silver awards, second prizes, excellence awards, special honor awards, special contribution awards, merit awards, and best creation awards. He has won the gold medal in the World Peace Art Competition organized by the United Nations, as well as the gold medal in the China South Korea Friendship Association. Gold Award in Cross Strait Calligraphy and Painting Competition. Mao calligraphy has won over a hundred awards and honors, including the Grand Prize, Excellence Award, and more. Due to outstanding achievements, he has been awarded titles such as "Top 100 Artists of the Republic", "World Artist", "Master of Calligraphy and Painting Art", "Oriental Talent Girl", "New Leader in Contemporary Calligraphy and Painting Industry", "Master of Contemporary Chinese Calligraphy and Painting", and "Outstanding People's Artist". The works have been compiled into the "World Who's Who", "A Generation of Famous Artists", "Famous Calligraphers and Painters of the 20th Century", "Dictionary of Chinese Calligraphy and Painting Masters and Professors", "History of Chinese Art", "China Art Education Yearbook for a Century", "Republic Art Treasure", "China's Nine Great Hall level Artists", "Contemporary Chinese Calligraphy and Painting Masters", "Chinese Powerful Painters", "Painters of Plum Blossom Blossoms", "Artists Who Dominate the Chinese Art World" More than 200 collections and dictionaries including "Famous Artists". He has authored works such as "Liu Fengxian Calligraphy and Painting Art", "Liu Fengxian Painting Collection", "Liu Fengxian Traditional Chinese Painting Appreciation", "Famous Artist Liu Fengxian Traditional Chinese Painting Album" {CD}, "Saint Confucian - Famous Traditional Chinese Painting Artist Liu Fengxian Art Collection", (Chinese Cultural Master Special Stamp), "Liu Fengxian Poems 100 Poems", and a mid length documentary novel "Pursuing Dreams and Learning". His works are highly favored and collected by national leaders, businesses, art circles, museums, domestic and foreign friends, and a large number of calligraphy and painting enthusiasts. Due to the dual virtues of virtue and art, he has become an artist deeply welcomed and loved by the people.

　　刘凤仙百米彩梅长卷：长 9999cmX100cm，

　　创作时间：1998—2009年。

　　卷首，由原美术家协会党委协书记雷雷正民先生题写：“梅林春早”接着作者本人行书毛泽东词：咏梅。接下来作者本人自作自书的“梅花赋”。然后作者用七彩挥笔描绘整体梅林，气韵生动，墨法自然，气势磅礴，枝干清癯，苍劲嶙峋，浑然大气，把梅的高尚品格表现的淋漓尽致，观画者无不拍手称赞且惊叹。卷尾，由书法家瘦石先生写了后记，此卷可谓世间绝品，升值潜力不可估量。是收藏者首选。

　　观画者： 党建画院主席张文祥撰

　　Liu Fengxian's Hundred meter Colorful Plum Rolls: 9999cmX100cm in length,

　　Created from 1998 to 2009.

　　At the beginning of the scroll, Mr. Lei Lei Zhengmin, former Secretary of the Party Committee of the Artists Association, wrote: "Early Spring in Meilin", followed by the author's own running script of Mao Zedong's Ci: Wing Mei. Next, the author himself wrote his own "Plum Blossom Fu". Then the author uses a colorful brush to depict the overall plum blossom, with a vivid and natural ink style, majestic and magnificent. The branches are delicate, vigorous, and rugged, exuding a sense of grandeur. The noble character of the plum blossom is vividly portrayed, and the viewers applaud and marvel. At the end of the volume, Mr. Shoushi, a calligrapher, wrote an afterword. This volume can be described as a masterpiece in the world and has immeasurable potential for appreciation. It is the preferred choice for collectors.

　　Painter: Written by Zhang Wenxiang, Chairman of the Party Building Painting Academy

　　刘凤仙笔下之梅花，气韵生动，墨法自然，凌霜傲雪，气势磅礴，枝干清癯，苍劲嶙峋。寿桃，饱满圆润，枝繁叶茂，形神兼备，栩栩如生，独家创作，堪称一绝。她的这两类画作行笔豪放恣纵，用墨清新飘逸、潇洒淋漓，飘溢着冷冽的清香，蕴含着饱满的汁水，线条婀娜多姿，枝干凝重厚实，她的其他作品也颇见功力，正因为如此，常常被人们称为“女中豪杰”。

　　刘凤仙创作，师古而不泥古，继承不照搬，而是紧紧抓住自然界动植 物与人们生活、思想情感的某种联系给与强化表现。着重神、魂、韵的点画与描写，注意美与善的观念表达。用“移生动质"传达花鸟的生命力与其各不相同的特性，强调其“夺造化而移精神遐想"的怡情作用。通过对花鸟画的创作来表达自己的志趣、情操与精神生活，表达内在的思想与追求，缘物寄情，托物言志。

　　墨是中国传统书画中的主要元素，浓、重、淡、清、焦，为运墨五色，墨与色的完美结合是每位画家孜孜以求的至高境界。但 行笔用墨是绘画艺术的皮肉，而笔中的劲力却是画中的风骨和气韵。刘风仙结合自己的审美情趣大胆创新，不断尝试，使作品中的形貌、骨法、质地、光暗及情态神韵逐步形成了自己的风格。气势磅礴而不失小巧细腻，刚劲老辣而不失自然清新，这正是她绘画作品的写照。

　　刘凤仙创作，意存笔先，画尽意在，豪放不显张扬，意境深远而不失恬淡清新，其梅花或艳如朝霞或白似瑞雪;寿桃或娇艳欲滴或灵秀芬芳，阵阵暗香仿佛跃出纸面，扑面而来，巧妙的将自然灵性点染画中，好似呼唤出了中国千年文化底蕴的深沉回声，诠释了中华民族古老艺术的深刻内涵。

　　刘凤仙的作品，由于以诗入画、以书法入画、以学养入画，创作中在达意抒情和骨法用笔、线条运行上能够紧密的结合，外师造化，中得心源，形成了显著的艺术特征。

　　绘画作品中的诗文跋语往往代表作品主人的心声。一句好诗，能表现出作者的内涵和学养。一句好诗，亦能起到画龙点睛的作用。刘凤仙作品中的诗句布局巧妙，胸怀天地，在构图上，突出主体，讲求布局中的虚实对比与顾盼呼应，把发挥画意的诗歌题句，用与画风相协调的书法在适当的位置书写出来，辅以印章，成为一种以画为主的综合性书画艺术作品，留白空间的疏、密、聚、散;花、果、鸟、叶的柔嫩灵活，老干边缘的毛、涩质感，无不显示其作品的巧夺天工。

　　The plum blossom depicted by Liu Fengxian has a vivid and natural charm, with a natural ink technique. It is majestic and majestic, with beautiful branches and rugged vitality. Shoutao, plump and round, with lush branches and leaves, has both form and spirit, and is lifelike. It is an exclusive creation and can be called a masterpiece. Her two types of paintings have bold and unrestrained brushstrokes, with fresh and elegant ink, flowing with a cold fragrance, containing full juice, graceful lines, and thick and dignified branches. Her other works also show great skill, and are often referred to as "female heroes" because of this.

　　Liu Fengxian's creations are inspired by the past, not by the past, inherited rather than copied. Instead, they tightly grasp the connection between natural animals and plants and people's lives, thoughts, and emotions to strengthen their expression. Focus on the stippling and description of spirit, soul and rhyme, and pay attention to the expression of beauty and goodness. By conveying the vitality and unique characteristics of flowers and birds through the use of "vivid and vivid elements", we emphasize the joyful role of "seizing nature and shifting spiritual imagination". Through the creation of flower and bird paintings, we express our own interests, sentiments, and spiritual life, express our inner thoughts and pursuits, and express our emotions based on things.

　　Ink is the main element in traditional Chinese calligraphy and painting, with concentration, heaviness, lightness, clarity, and sharpness, serving as the five colors of ink. The perfect combination of ink and color is the highest realm that every painter strives for. But the use of ink in the brush is the flesh and skin of painting art, while the strength in the brush is the character and charm in the painting. Liu Fengxian boldly innovates with his own aesthetic taste and constantly tries, gradually forming his own style in terms of appearance, bone technique, texture, light and darkness, and modal charm in his works. The grandeur without losing its compactness and delicacy, the vigor and seasonality without losing its natural freshness, are precisely the portrayal of her paintings.

　　Liu Fengxian created with the intention of putting pen first, painting with the intention of being bold and unrestrained, with a profound and yet tranquil and fresh artistic conception. His plum blossoms are either as beautiful as the morning glow or as white as the auspicious snow; The longevity peaches are either charming and charming, or have a delicate and fragrant fragrance. The subtle fragrance seems to spring out of the paper and rush towards the face, cleverly embellishing the natural spirituality in the painting, as if calling out a deep echo of China's millennium old cultural heritage, interpreting the profound connotation of the ancient art of the Chinese nation.

　　Liu Fengxian's works, due to the use of poetry in painting, calligraphy in painting, and education in painting, can be closely combined in expressing ideas and emotions, using bone techniques, and running lines in creation. They learn from the outside and gain inspiration from the heart, forming significant artistic features.

　　The poetry and postscript in painting often represent the voice of the owner of the work. A good poem can express the author's connotation and education. A good poem can also serve as the finishing touch. The poetic lines in Liu Fengxian's works are cleverly arranged, with a mind full of heaven and earth. In terms of composition, they emphasize the main body, emphasize the contrast between reality and emptiness in the layout, and echo expectations. The poetic lines that express the meaning of the painting are written in appropriate positions with calligraphy that is coordinated with the painting style, supplemented by seals, becoming a comprehensive calligraphy and painting art work mainly focused on painting, with sparse, dense, concentrated, and scattered spaces left; The tender and flexible nature of flowers, fruits, birds, and leaves, as well as the rough and astringent texture of the edges of the aged stem, all demonstrate the exquisite craftsmanship of their works.