一个民族的复兴需要强大的物质力量,也需要强大的精神力量。没有先进文化的积极引领,没有人民精神世界的极大丰富没有民族精神力量的不断增强,一个国家、一个民族不可能屹立于世界民族之林。在此盛世,为响应国家号召,大力推广中国优秀风向标艺术人物,经过全国评选选拔,特别邀请杜春富先生作为世界艺术风向标人物进行全世界重大推荐,将中国艺术精髓发扬光大,传播全世界!

　　杜春富 ,男,山东肥城市人,中共党员,副教授,当代著名书法家。曲阜师范大学中文系毕业。历任语文教师,汉语写作教研室主任;《德州卫生》报主编,健康教育副主任技师等职。现为中国文学艺术联合会委员,中国国学学会副主席,中国楹联学会书画艺术院系教授,中国五体书法研究会副会长,新华艺术网艺术委员会执行副主席,中国书画家联谊会新文艺羣体书画家工作委员会委员,中国民族建筑研究会书画艺术专业委员会会员,中央国家机关书法家协会会员。经中国文化艺术人才等级评估委员会专家审查认定,被评为国家特级书法师。

　　其自幼酷爱文学和书画,二十世纪五十年代师从书画大家张茂才、黑伯龙,并受到关友声、刘鲁生两位书画名家的指点。几十年来,笔耕不辍,遍临历代书法名家碑帖,深受中国传统优秀文化滋养。书画、诗词作品常在国家级各类专业报刊发表,并入国展,荣获各类奖项50余次,出版个人丛刊或入编书画典籍60余部,更有书法作品镌刻在中国瓷器或工艺品玉扣上,作为国礼,赠送给国内外友人和政要嘉宾。鉴于此,被中国艺术人物网授予“兰亭工艺美术”终身荣誉奖;被中国文联授予“德艺双馨艺术家”;被中国文学艺术研究会授予“国家文化传承创新贡献奖”;被中国美协、书协共同推荐为“大国文化形象大使”;被人民日报《当代中国艺术人物》节目特邀为艺术家代表;被国礼艺术家聘为特邀顾问并授予“国宝级艺术大师”荣誉称号;在2022年中华全国书画展中荣获金奖和“国学文化守艺人”光荣称号。其简历与事迹分别入编《中国国学专家人才库》、《中国国学研究员大典》、《中国美术70年》、《世界美术家大辭典—书法篆刻卷》、《中国新国粹网》及《世界艺术年鉴1922—2022》,同时荣获国际艺术家功勋荣誉称号。2O23年被评为书画艺术界“感动中国人物”;被中国文联和中国艺术人物公示中心授予“中国书画艺术终身成就奖”,并被推选为“公众人物”,同年,被胡润集团推荐为金砖国家艺木家代表,并与其他四个金砖国家代表共同出版了合集,当年登录胡润《世界艺术百强榜》。

　　中国书协主席孙晓云评价说:“书法本源是文化,而不是纯艺术。无视文化传承的作品只是过眼云烟。杜春富老师文学功底深厚,书法作品严谨规范,不哗众取宠,回归正统,写出了古香古韵!杜老师几十年来,矢志不渝,笔耕不辍,为文化传承创新一直贡献自己的力量!”

　　书法名家权希军先生评曰:“草书规范,章法和谐得体。”

　　书画评论家崔陟对其评曰:“此隶书行笔稳中寓拙,断续时现,有古扑之风貌。”

　　付京生方家评曰:“点画精良,气脉畅通,且笔精墨妙,纵横驰騁之中有沉着宁静之态,恣肆中仍坚守中锋用笔法度,甚为飞扬酣畅,且骨丰肉润,绝无雕琢感。是匠心独运的创作性上好佳作。”

　　《九州艺术与投资》杂志社名家点评:杜春富先生的书法章法布局舒朗停匀,体势饱满生动,气韵活灵活现。可谓是“形”、“神”、“气”、“韵”、“理”兼备,大气典雅,形韵皆胜。其运笔书写流畅,表现自然,干净利落,从其几十年

　　创作的书法作品,体现艺术美感非常突出,书法的气息、风格的表现,俱是情感和境界在自己的书法艺术形式中达到完美的升华……。

　　中国杭州孟墨文化评审委员会专家组评曰:杜春富先生所创作的作品,结体稳健端庄、笔墨流畅自然,从运笔、用墨、章法来看,灵动而不杂乱,线条丰润饱满,且刚柔相济,展示了娴熟的艺术功底。笔力浑厚遒劲、雄健峻拔,充分体现了您的素养和对艺术的不懈追求,呈现着一种狂放中求精劲、疾速中见沉着、酣畅中有敛抑,有一种似真似幻的韵味,灵动而不失深沉境界。并且善于吸取前人经验和艺术精华,师古不泥,大胆创新,既有传统书术风韵,又具有很强的时代艺术特色。作品基调高雅,风格庄重,富有民族感、时代感和历史感,真正做到思想性、艺术性、观赏性的统一,尽显独特的艺术风格,颇具大家风范。

　　当代著名书画评论家史峰先生评论说:“当代著名书法家杜春富先生,早识当代书法远离传统,有入“现代书法”的流弊,所以他用自己卓修碑帖,功入传统的坚持,力拓书法修炼的正路大道,师源高古,取法晋之韵,唐之法,宋之意,遍修历代诸贤法帖,成为书法写正宗的典范人物。这是他的书法作品登临各类书法展赛斩获金银的重要原因,也是他个人高品位书法展在书坛大获赞誉的重要底色!从这个意义上来看,卓修碑帖,诸体皆成,法修高古的杜春富先生,所取得的书法造诣,不仅是个人的声望,也是书法文化复兴正源请本的书坛力量。”

　　Du Chunfu, male, from Feicheng City, Shandong Province, is a member of the Communist Party of China, associate professor, and a renowned contemporary calligrapher. Graduated from the Chinese Department of Qufu Normal University. Formerly served as a Chinese language teacher and director of the Chinese Writing Teaching and Research Office; Editor in Chief of the Texas Health News, Deputy Director of Health Education, Technician, and other positions. He is currently a member of the Chinese Literature and Art Federation, Vice Chairman of the Chinese Traditional Chinese Studies Association, Professor of the Calligraphy and Painting Art Department of the Chinese Couplet Association, Vice President of the Chinese Five Body Calligraphy Research Association, Executive Vice Chairman of the Xinhua Art Network Art Committee, Member of the New Literature and Art Group Calligrapher and Painter Work Committee of the Chinese Calligrapher and Painter Association, Member of the Calligraphy and Painting Art Professional Committee of the Chinese Ethnic Architecture Research Association, and Member of the Central State Organ Calligrapher Association. After being reviewed and recognized by experts from the China Cultural and Artistic Talent Level Evaluation Committee, he has been rated as a national special level calligrapher.

　　He had a passion for literature and painting since childhood. In the 1950s, he studied under the masters of calligraphy and painting, Zhang Maocai and Hei Bolong, and was guided by two famous calligraphers, Guan Yousheng and Liu Lusheng. For decades, I have been tireless in writing and have visited famous calligraphers' inscriptions throughout history, deeply nurtured by the excellent traditional Chinese culture. Calligraphy, painting, and poetry works are often published in various professional newspapers and magazines at the national level, incorporated into national exhibitions, and have won over 50 awards. They have published personal series or been included in more than 60 calligraphy and painting classics, and even have calligraphy works engraved on Chinese porcelain or handicraft jade buckles as national gifts, presented to friends and dignitaries at home and abroad. In view of this, he was awarded the "Lanting Arts and Crafts" Lifetime Honorary Award by China Art Figure Network; Awarded the title of "Artist with Both Virtue and Art" by the China Federation of Literary and Art Circles; By the Chinese Literature and Art Research AssociationAwarded the "National Cultural Heritage and Innovation Contribution Award"; Recommended jointly by the China Artists Association and the Calligraphy Association as the "Ambassador of Great Country Cultural Image"; Invited as an artist representative by the program "Contemporary Chinese Artists" by People's Daily; Appointed as a special consultant by a national ceremony artist and awarded the honorary title of "National Treasure level Art Master"; Won the gold medal and the honorable title of "Guardian of Traditional Chinese Culture" at the 2022 China National Calligraphy and Painting Exhibition. His resume and achievements were respectively included in the "Chinese National Studies Expert Talent Pool", "Chinese National Studies Researcher's Ceremony", "70 Years of Chinese Art", and "World Heritage"

　　The Dictionary of Artists in the World - Calligraphy and Seal Cutting Volume, China's New National Essence Network, and World Art Yearbook 1922-2022 have also been awarded the honorary title of International Artist Merit. In 2023, he was awarded the title of "Touching Chinese Character" in the field of calligraphy and painting art; He was awarded the "Lifetime Achievement Award for Chinese Calligraphy and Painting Art" by the China Federation of Literary and Art Circles and the China Art Figures Publicity Center, and was selected as a "public figure". In the same year, he was recommended by Hurun Group as a representative of BRICS artists and co published a collection with representatives of four other BRICS countries. He was listed on Hurun's "World Top 100 Artists" that year.

　　Sun Xiaoyun, Chairman of the China Calligraphy Association, commented, "Calligraphy originates from culture, not pure art. Works that ignore cultural inheritance are only fleeting. Teacher Du Chunfu has a deep literary foundation, rigorous and standardized calligraphy works, does not seek favor from the public, returns to orthodoxy, and writes ancient and fragrant rhymes! For decades, Teacher Du has been steadfast in his determination and dedication, continuously contributing to cultural inheritance and innovation

　　Mr. Quan Xijun, a renowned calligrapher, commented, "The cursive script is standardized, and the composition is harmonious and appropriate

　　Calligraphy and painting critic Cui Zhi commented on it: "The strokes of this official script are stable and clumsy, intermittently appearing, with a style of ancient calligraphyFu Jingsheng's Fang family commented, "The strokes are excellent, the pulse is smooth, and the strokes are exquisite. There is a calm and tranquil state in the gallop, and the center forward's brushstroke is still upheld without restraint. It is very lively and smooth, with abundant bones and flesh, and no sense of carving. It is a masterpiece of creativity with unique craftsmanship

　　Commentary by renowned experts from the Kyushu Art and Investment magazine: Mr. Du Chunfu's calligraphy layout is smooth and smooth, with a full and vivid physique and vivid charm. It can be said thatHaving a combination of "form", "spirit", "qi", "rhyme", and "reason", it is grand and elegant, with both form and rhyme winning. Its smooth brushstroke, natural expression, and clean style have been recognized for decades

　　The calligraphy works created highlight the artistic beauty, and the expression of calligraphy's atmosphere and style is the perfect sublimation of emotions and realm in one's own calligraphy art form.

　　The expert group of the Meng Mo Culture Evaluation Committee in Hangzhou, China commented that the works created by Mr. Du Chunfu have a stable and dignified structure, smooth and natural brushstrokes. From the perspective of pen movement, ink use, and composition, they are agile but not messy, with rich and full lines, and a combination of hardness and softness, showcasing skilled artistic skills. The brushstroke is rich, vigorous, and majestic, fully reflecting your literacy and unremitting pursuit of art. It presents a wild and refined spirit, a calm and steady expression in speed, a restrained and restrained expression in intoxication, and a charm that seems to be real and unreal, agile but not lacking in a deep realm. Moreover, he is good at absorbing the experience and essence of the past, learning from the past without mud, and making bold innovations. He not only has the charm of traditional calligraphy, but also has strong artistic characteristics of the times. The tone of the work is elegant, the style is solemn, and it is rich in a sense of nationality, era, and history. It truly achieves the unity of ideological, artistic, and ornamental qualities, and strives toShowing a unique artistic style and possessing a great family demeanor.

　　Mr. Shi Feng, a renowned contemporary calligraphy and painting critic, commented: "Mr. Du Chunfu, a renowned calligrapher, had a long history of understanding that contemporary calligraphy is far from tradition and has the drawbacks of entering" modern calligraphy ". Therefore, he used his own expertise in repairing stele inscriptions and adhering to tradition, exploring the main path of calligraphy cultivation, learning from ancient times, taking the charm of Jin, Tang, and Song dynasties, and extensively studying various sages' calligraphy inscriptions throughout history, becoming a model figure for writing authentic calligraphy. This is an important reason why his calligraphy works have won gold and silver in various calligraphy exhibition competitions, and it is also an important background for his personal high-quality calligraphy exhibition to receive great praise in the calligraphy industry! In this sense, the calligraphy achievements of Mr. Du Chunfu, who excelled in the study of inscriptions and inscriptions, are not only personal reputation but also the driving force behind the revival of calligraphy culture